Last night I finished watching the final season of a British/French crime thriller called The Tunnel. I recommend it, but with some reservations.
There are three seasons of The Tunnel, all of which aired on PBS and are available on the PBS streaming app (possibly only if you are a member of your local PBS station and have their Passport feature), as well as other streaming vendors. The first season was a remake of a 2011 Danish-Swedish crime series called The Bridge. The second season, The Tunnel: Sabotage, and the third, The Tunnel: Vengeance, are original stories.
The primary reason to watch the series is for some superior acting from the two leads: English actor Stephen Dillane as Detective Chief Inspector Karl Roebuck, based in Folkestone, and Clémence Poésy as Captain (later Commander) Elise Wassermann, based in Calais. Dillane is the relaxed, wisecracking, seasoned detective to Poésy’s serious, single-minded, less-experienced crime fighter. Elise also exhibits traits that indicate she might have Asperger’s syndrome — she’s highly intelligent with a great eye for detail, but she’s hopeless at interpreting social cues and dealing with other people’s emotions.
The two are thrown together in the first season when someone places the upper half of a French politician and the lower half of a British prostitute in the Channel Tunnel at the halfway point between the UK and France. The tale is off and running from there, with our two protagonists and their teams collaborating willingly at times and clashing at others. The show is bilingual, which gives me a chance to try and use my high-school and college French, and I love seeing a glimpse of how people in those areas of England and France live. The British and the French detectives needle each other, each taking turns getting in their digs at the other country’s culture, and the third season, filmed after the Brexit vote, works in some gibes from both sides about the UK leaving the EU.
International issues and politics permeate the storylines, which involve elaborate, even baroque crimes devised by villains who have plenty of time and resources on their hands. The series is quite gritty, and there are downright heartbreaking events that occur in each season — that’s my reservation about recommending it. But if you enjoy seeing two well-matched actors play characters whose sparring relationship grows into a deep friendship, look no further. I was especially taken with Dillane, who was a new face to me, even though he has a long history on British stage and screen (and evidently plays a role on Game of Thrones, which I’ve never seen). He’s been called an “actor’s actor,” and that’s exactly right — he’s completely comfortable in his own skin, and reveals Karl’s inner workings with the subtlest expressions.
If you watch it, come back and let me know what you thought!
Elise Wassermann: I can’t eat anything sweet until I get my tooth fixed.
Karl Roebuck: What’s wrong with your tooth? Did you bite somebody?
— The Tunnel: Vengeance